Peer-reviewed Publications:
Brianne Selman, Brian Fauteux, and Andrew deWaard. “From Copyright Cartels to Commons and Care: A Public Infrastructure Model for Canadian Music Communities.” Partnership: the Canadian Journal of Library and Information Practice and Research 17.1 (2022). doi:10.21083/partnership.v17i1.6706. Open Access.
Andrew deWaard, Brian Fauteux, and Brianne Selman. “Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians).” Popular Music and Society 45.3 (2022): 251-278. doi:10.1080/03007766.2021.2010028. Open Access.
Ian Dahlman, Andrew deWaard, and Brian Fauteux. “The Cultural Capital Project: Radical Monetization of the Music Industry.” IASPM Journal 3.1 (2012): 35-47. doi: 10.5429/2079-3871(2012)v3i1.4en. Open Access.
Government and Policy Briefs:
Brianne Selman, Brian Fauteux, and Andrew deWaard. “A User-Centric Case for Rights Reversions and Other Mitigations: The Cultural Capital Project Submission to ISED Consultation on Term Extension.” (March 9, 2021).
Brian Fauteux, Brianne Selman, and Andrew deWaard. “Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond: A Brief Submitted To The Standing Committee on Canadian Heritage Remuneration Models for Artists and Creative Industries.” (December 12, 2018).
Brian Fauteux, Brianne Selman, and Andrew deWaard. “Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond: A Brief submitted to INDU Statutory Review of the Copyright Act.” (December 10, 2018).